Going into the 92nd Academy Awards, the features were about what we wouldn't see: no J. Lo, no female movie producers of top movies, practically no ethnic minorities in the acting classes. But then ladies chiefs won; so did African-American executives. What's more, the night finished with a history-production triumph for "Parasite," the primary South Korean film to win best picture. Here are the highs and lows as we saw them.
The Most Heartwarming Winner
You could tell Hollywood had experienced passionate feelings for Bong Joon Ho by the overflowing inside the Dolby Theater each time the South Korean executive went in front of an audience Sunday night. Also, he was up there a great deal, for best chief, best unique screenplay (imparted to Han Jin Won), best universal element lastly best picture. At each prize, the group challenged and cheered, frequently ascending to its feet. Tolerating the coordinating trophy, Bong said through his mediator, "When I was youthful and considering film, there was a platitude that I cut profound into my heart, which is, 'The most close to home is the most innovative.'" Then he included English, "That statement was from our incredible Martin Scorsese," and unexpectedly Bong had motivated the group to ascend to its feet once more, yet this time for his kindred producer. — Stephanie Goodman
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